Mejo embodies the stereotype of the introverted person who prefers to be alone and has no friends. A boy who is considerably younger than him is his only companion. But when Jeena, who he’s had a crush on since childhood, returns to his life, everything changes. Mejo appreciates Jeena’s assistance in making him a friendlier person, but he misinterprets it as something more significant than friendship. The plot revolves around his attempts to reconcile his feelings for Jeena.
Mejo is portrayed in this movie by Dinoy Paulose, and at first, it seemed a touch gimmicky how he portrayed Mejo’s shy personality. The performance became credible, though, as the narrative went on.
The much-needed charm is present in Lijomol Jose’s smile as Jeena. Lijo Mol Jose, the film’s female heroine, portrays a country belle with vivacity and lovability after turning off a laudable performance in Jai Bhim. Ambrose, played by Mathew Thomas, is a fun-loving auxiliary character.
Visudha Mejo is a significantly better and more concentrated script than Dinoy’s last one, Pathrosite Padappukal. We don’t often encounter uncomplicated protagonists in simple love stories like Vishuda Mejo. He reminds you of insecure movie characters from forty years ago with his timidity and inferiority problem. Meanwhile, the subject choice is the director’s fault for being too delicate and problematic. The premise of the movie is so weak that any attempt it makes to become a cheery, feel-good movie with a hint of humor falls flat right away.
The first half of the movie seems like a cool breeze because to Justin’s score and the film’s cinematographer, Jomon T. John, who is also the producer. The fundamental flaw of the film is the direction by Kiran Antony, which lacks charm, and the audience’s inability to connect with the lead character. Because the script is weak, this relationship is uninteresting.