J. Robert Oppenheimer, an American physicist renowned as the “Father of the Atomic Bomb,” is profiled in Oppenheimer. The movie follows the developments leading up to and following the world’s first nuclear test, known as “Trinity” and conducted by Oppenheimer for the US Army.
Three stories are weaved together in Oppenheimer. The first occurs in 1954 when a fifty-year-old Oppenheimer is subjected to a security hearing, his past being dug up and contorted in front of a board of vultures from the United States Atomic Energy Commission, ravenous for his demise. During a confirmation hearing for President Eisenhower’s cabinet, Lewis Strauss (Robert Downey Jr.), a former shoe salesman who rose to political prominence, discusses his relationship with Oppenheimer in the second scene. The third tells the tale of Oppenheimer, whose passion for science and mercurial women led to the development of the A-bomb and the horrifying World War II bombings of Japan’s Hiroshima and Nagasaki.
The titular Oppenheimer, whose life has several dimensions, is played to absolute brilliance by the immensely talented and charismatic Cillian Murphy. With his mesmerizing portrayal of Oppenheimer, Murphy brings out the intricate nuances of the character, capturing the essence of his complex personality with precision and depth. His exceptional performance adds a layer of authenticity and intensity to the role, making it truly unforgettable.
General Leslie Groves, the military leader of the Manhattan Project, is played by Matt Damon, who lends him his movie-star magnetism. His gruff charms hide his true intentions. Using his enormous acting skills, Robert Downey Jr. carves out a significant section of the movie for himself as Lewis Strauss, Oppenheimer’s opponent for control over postwar nuclear policy. His ability to convey a wide range of emotions in a subtle yet impactful manner is truly awe-inspiring.
David Krumholtz as the physicist Isidor Isaac Rabi is one of Oppenheimer’s other standout performers. In their scenes together, Emily Blunt is a fantastic co-star for Murphy, helping to ground him when he gets too lofty and prodding him to fight when he seems ready to let history pass him by. Pugh is remarkable in a little role, as is the case for the majority of the vast cast.
Nolan is just a remarkable filmmaker whose cinematic taste is rooted in the classics but fused with contemporary ideas and tools to generate unique cinematic experiences with real insights about the universe around us. With Oppenheimer, his focus is in the complicated mind of J. Robert Oppenheimer, a complex but brilliant physicist in charge of the Manhattan Project, the covert endeavour to develop the nuclear bomb, a weapon so potent it could be used to end war forever – in the right hands.
Some viewers may be put off by the three-hour length, but Nolan’s artistic style and compelling subject matter keep us engaged throughout. Oppenheimer is an unapologetically intellectual film with great actors playing real people, a true story with significant details many viewers will be learning for the first time, and one that, despite its roots in reality, feels enormous and deserving of director Christopher Nolan’s beloved IMAX screen. At a time when almost every high-budget Hollywood film is based on corporate intellectual property.
With the help of Jennifer Lame’s razor-sharp editing and Hoyte van Hoytema’s superb cinematography, who is working with Nolan for the fourth picture, the New Mexico desert scene where the major first Trinity test of the bomb takes place is a moment of heart-pounding excitement.
The editing style of Jennifer Lame, which frequently has a subtle Terrence Malick quality, is prismatic and persistent, cutting between three or more time periods in a matter of seconds. Although dramatic in its rising, the music, which screams with strings, horns, and even Geiger counter sounds, is employed throughout Oppenheimer without hesitation.
With a stellar cast, masterful storytelling, and a distinct visual style, Nolan’s cinematic masterpiece leaves audiences in awe, provoking deep reflection on the human dimensions of scientific progress and the weighty responsibility that accompanies it. This mesmerizing film is truly a testament to Nolan’s genius and his ability to seamlessly weave together intellectual depth, emotional resonance, and sheer entertainment value into one extraordinary cinematic experience.