Three close friends with individual issues—Adi (Sharwanand), Sreenu (Vennela Kishore), and Chaitu (Priyadarshi)—are Sreenu, Adi, and Chaitu. A scientist named Nasser approaches them one day and offers to take them back in time so they can correct their faults from their youth. They happily concur and use a time machine to travel back to 1998. Upon arrival, they encounter their younger selves and begin reprimanding them for their errors.
The story takes a turn, though, when the three children’s younger selves travel through time using the same device and arrive in the future without the adults. What are the three pals going to do next? How will the groups manage a timely location change? It is necessary to see the movie on a large screen in order to learn the answers.
Performance
Sharwanand gets to play a socially anxious character who is missing his mother, his largest source of support. He must portray a person who is troubled by internal pain in order to play the part. Such personalities come naturally to Sharwa when she plays them. And again, he managed to pull it off. When he must manage his feelings and his tears towards the conclusion, he excels.
Performance
Amala makes her film comeback after a protracted absence. She is ideal for the part. She gives the emotive theme gravity. The heart of the movie is her scenes with Sharwanand. Nassar initially appears unremarkable but goes on to do a strong act. As Aadhi’s girlfriend, Ritu Varma does quite fine. The roles given to Priyadarshi and Vennela Kishore are not typical ones.
Direction / Technical Side
Time travel Is a very interesting subject. We usually feel that it should happen in our lives too. This is the main reason why ‘Oke Oka Jeevitham’ instantly connects with the audience. The movie has a fantastic vibe because to director Shree Karthick’s central idea about sci-fi and mother affection. It’s admirable how he handled the complexity of this tale.
Direction / Technical Side
The film’s production values are excellent, and Sujith Sarang’s cinematography is reliable. The emotional pulses of the story are enhanced by the background music by Jakes Bejoy. Although the run-time is somewhat long, Sreejith Sarang is not at fault for the competent editing.