In addition to being a member of a political party that supports social justice and equality, Maamannan holds the office of MLA for the Kasipuram seat. Adhiveeran, his son, runs a pig farm in his spare time in addition to being an Adimurai instructor.
As the leader of the political party that Vadivelu is affiliated with, Rathnavel, a powerful politician in the same hamlet, is also a member of the local government. Rathnavel’s brother has threatened Leela since she runs a free coaching facility. Veeran receives this issue from Leela and her pals, and Maamannan and Rathnavel engage in a massive power struggle as a result. This is how Maamannan’s tale develops.
Vadivelu puts up a fantastic performance the entire time while playing a serious part, displaying an intense performance. With ease, Vadivelu’s character stands out among the others; the seasoned actor handles the title part with ease.
The first-half sequence starring Fahadh Faasil and Udhay will undoubtedly be memorable since he is a film’s standout contribution. In the first half, Udhaynidhi gives a controlled and effective effort; however, in the second, he truly comes into his own and excels.
Another appealing aspect of the film is Fahadh’s ominous portrayal of the rival. Keerthy plays a clean and well-defined part in the movie, and she does a great job of making her dialogues count.
Mari Selvaraj based the plot of Maamannan on true events, and Vadivelu’s figure of the ‘Maamannan’—from whom the narrative genuinely stems—is the focal point of the action. The film does a good job of conveying Mari Selvaraj’s goal of promoting equality concept to society. Although the background is unique and has new components to support it, the fundamental political narrative is well known.
The story’s main conflict starts out on a brighter note. A savvy businessman demands that a group of young people cease providing free education to kids after becoming enraged by their actions. When they refuse, he assaults their workplace. Rathnavelu, a prominent politician and the brother of the merchant, and Athiveeran end themselves at odds over this.
Everything we’ve come to anticipate from a Mari Selvaraj movie is in Maamannan’s first half, including horrifying depictions of discrimination in the form of assaults against helpless humans and animals, lingering guilt, a sweet romantic theme, inhuman villainy, and heroism that inspires cheering and whistles.
The movie features numerous excellent scenes that showcase Mari Selvaraj’s talent. These scenes don’t appear randomly throughout the movie, though. The film’s second half meanders since there isn’t much of a plot to be found there. While anticipating the story’s climax in the second half, you find yourself let down since there is not enough substance.
Maamannan tackles social issues and demonstrates change through belief in the democratic system. Despite minor shortcomings, the film offers engaging experiences with outstanding performances and thrilling first-half high points.