Directed by | Parasuram |
---|---|
Written by | Parasuram |
Produced by | Naveen Yerneni Y. Ravi Shankar Ram Achanta Gopichand Achanta |
Starring | Mahesh Babu Keerthy Suresh |
Cinematography | R. Madhi |
Edited by | Marthand K. Venkatesh |
Music by | S. Thaman |
Production companies | Mythri Movie Makers 14 Reels Plus Entertainment G. Mahesh Babu Entertainment |
Plot; In the US, Mahesh (Mahesh Babu) works in the loan recovery industry. He lends money to a girl by the name of Kalaavathi (Keerthy Suresh), but she doesn’t pay him back. Mahesh, who is unhappy, warns her, but Kalaavathi intervenes with her strong father Rajendranath (Samuthirakani). Mahesh is forced to travel to India in order to recover his money. But deeper issues get him into a lot more trouble. What is the issue? This Rajendranath, who is he? Mahesh handled him in what way? The rest of the plot is made up of that.
Performances; Mahesh’s character is written and presented by Parasuram admirably. The additional ingredients that his fans have been missing for years are now there in SVP. In the movie, he gives it his all. He has been playing subtlety-demanding parts for the last five years. Mahesh Babu seems very animated in the opening part of this movie. In a couple scenes, he modulated differently. Because he made a determined effort to make a difference, Mahesh would win over everyone’s admiration in this movie. Even in songs, notably Kalavathi, he is highly animated. Although he claimed that SVP had no messages, this movie is yet another message-oriented movie.
Keerthy Suresh overflowed excitement in her job. She assumed the part of an elegant young lady easily. She looked delightful in conventional dresses and great searched in present day outfits. Notwithstanding, on occasion her cosmetics looked odd. She got a restricted screen presence and didn’t be able to exhibit her acting abilities. She is restricted to doing the normal courageous woman job inverse a top star. Samuthirakhani assumed the part of tailormade for him. He did such jobs before and he just went through the movements. His getup looks like that of his previous movies. Vennela Kishore evoked a couple of giggles that are standard while Tanikella Bharani, Naga Babu, and Nadiya assumed the close to home parts. Others like Subbaraju, Mahesh Manjrekar, Sowmya Menon, Posani Krishna Murali, Ravi Prakash, Brahmaji, and Satyam Rajesh got restricted screen presence.
Direction/Technical Side; Sarkaru Vaari Paata discusses the developing hazard of rich individuals defaulting on bank advances, the public authority corporate nexus that empowers such monetary wrongdoings and how the weight caused for the financial framework by terrible credits is moved to dedicated, well behaved and compliant residents. What’s more, it is described through a moderate format of a “masala film” with standard battle scenes, tune groupings and zingers that enhance our experience. Totally, just an intermittent flashes of humor keep us snared to a great extent. The tunes, as well, do their administration. Parasuram’s discoursed take care of business in engaging scenes. In any case, with regards to the center scenes, the lines fall flat.The Ram-Lakshman pair make routine battles. The much-vaunted Goa ocean side battle doesn’t enroll. R Madhi’s cinematography is better than expected, while Thaman’s experience score is completely normal.
Verdict ; Additionally, it is presented in a “masala film”-style structure with a moderate amount of battle sequences, musical ensembles, and zingers to improve our enjoyment. Strictly for Mahesh Babu Fans!