Directed by | Venkat Prabhu |
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Written by | Venkat Prabhu |
Produced by | Suresh Kamatchi |
Starring | Silambarasan S. J. Suryah Kalyani Priyadarshan |
Cinematography | Richard M. Nathan |
Edited by | Praveen K. L. |
Music by | Yuvan Shankar Raja |
Production company | V House Productions |
Distributed by | SSI Productions |
Release date | November 25, 2021 (India) |
Plot: Silambarasan portrays Abdul Khaliq, who travels from Dubai to Coimbatore to attend a friend’s wedding. After that, the protagonist is compelled to kill Tamil Nadu’s Chief Minister, and the police eventually catch up with him for the crime he did. But by becoming trapped in a temporal loop, he manages to live. What drives this intricacy, how the characters develop, how events shift within each loop, and finally how it all ends make up the remaining narrative.
Making a concept like time warp available to the masses is not easy. Venkat Prabhu successfully deciphers this formula and saves Maanaadu from becoming another tried and tested novel. It’s this formula that makes the film so entertaining, but at the same time it uses the concept of a time loop so that the viewer doesn’t wonder what’s going on. We managed to make it, break it down and appeal to all sections of the audience. In movies that treat time as a concept of overthrowing or reversing, it’s usually the hero who needs to triumph and find an exit statement, so that’s masala. But here Venkat Prabhu adds another layer to the loop, making it a catch-me-if-you-can sort of cat-and-mouse game between Simbu and SJ Suryah.
Fit, energetic and stylish, Silambarasan’s extremely energetic screen presence speaks to the return of the actor. The scene in the second half that destroys the emotions is a testament to the acting ability as usual. Nice to see him after a long time with a good entertainer who downplays his character!Especially the performance by his SJ Suryah who brought the circus to town. He makes real laughs in his reactions to surprising events.Also, he knows exactly what is expected of him and he carries it out perfectly. Kalyani Priyadarshan is excellent and shines in the limited screen space given. Film editing is also a big plus. The editor’s Praveen KL’s work brings a great deal of clarity to the film, reaching a wider audience who don’t have to rack their brains to understand the concept before watching the narrative that plays on loop. Make it attractive.
The biggest plot twist involves SJ Suryah’s corrupt police officer character Dhanushkodi, and the movie proceeds at a rapid pace thanks to Venkat’s opportune additions. It’s a lot of joy to watch Silambarasan and Suryah spar.
Verdict; It’s difficult to make a concept like time warp accessible to everyone. By correctly deciphering this formula, Venkat Prabhu prevents Maanaadu from turning into another tried-and-true book.