| Directed by | Vipin Das |
|---|---|
| Written by | Vipin Das Nashid Mohamed Famy |
| Produced by | Lakshmi Warrier Ganesh Menon |
| Starring | Darshana Rajendran Basil Joseph Aju Varghese |
| Cinematography | Bablu Aju |
| Edited by | Johnkutty |
| Music by | Ankit Menon |
| Production company | Cheers Entertainments |
Gist of the Story
Jaya, a young woman, marries. Her objective is to finish her degree, but her companion mockingly suggests she attempt the Public Service Commission tests. As she works toward her objective, Jaya tries to strike the appropriate balance when it comes to managing her in-laws.
Plot
The traditional middle-class family that Jayabharathi belonged to never worried about their daughter’s aspirations. Before deciding to get married, Jayabharathi, whose parents and other family members predetermined every aspect of her life, had just one request: the ability to continue her education and employment. This has Rajesh’s approval. Jaya had a difficult time living with Rajesh because he wasn’t the best spouse for any lady. However, Jayabharathi continues to be pushed into a corner by Rajesh’s patriarchal thinking and actions until she eventually makes the decision to escape it. What impact will this have on Rajesh and how will it shape their relationship forms the rest of the story?
Performance
The casting couldn’t be more perfect. Basil Joseph and Darshana both gave excellent performances as their respective personalities. Basil is wonderful as the abrasive Rajesh. Darshana does a fantastic job portraying Jayabharathi; she is versatile in both her facial expressions and body language. The actors who played Jaya’s father, Biju Kalanilayam, and Rajesh’s mother, Kanaka, are exceptional in addition to Basil Joseph and Darshana.
Direction / Technical Side
After his last film, Vipin Das creates another film that focuses on women. He emphasizes that modern women are unwilling to remain silent while their husbands mistreat them and shines a light on society’s patriarchal hypocrisies. Vipin Das, together with his co-writers Nashid Mohamed Famy and Ajith Kumar, has carefully chosen and structured key scenes, notably in the first half of the movie, they beautifully illustrate the imbalance in the lives of boys and girls growing up. The way it strikes a balance between the serious and humorous aspects is its most outstanding feature. The climactic reveal was a touch predictable, which is possibly the one flaw. Ankit Menon’s music for the drama’s background soundtrack and songs elevates it, and Bablu Aju’s camerawork expertly captures the tone of the story.
Verdict; The film “Jaya Jaya Jaya Jaya Hey” provides enough guidance for the spectator to redefine love and respect. It is a brilliantly portrayed story about a man’s frail ego. Overall, this film is a must-watch because of the humorous and sensible treatment of the gender problem, as well as the important lesson it conveys to every family.