Hostel Hudugaru Bekagiddare Movie Review & Analysis

Directed byNithin Krishnamurthy
Written byNithin Krishnamurthy
Produced byVarun Gowda
Prajwal B. P.
Arvind S. Kashyap
Nithin Krishnamurthy
StarringPrajwal B. P.
Manjunath Nayaka
Srivatsa
Tejas Jayanna Urs
CinematographyArvind S Kashyap
Edited bySuresh M
Music byB. Ajaneesh Loknath
Production
companies
Gulmohur Films
Varrun Studios
Paramvah Studios

Gist of the Story

The plot centres on the mischief of college boys. Ajith, a student with aspirations of making a short film, writes a script that uncannily resembles reality after the hostel warden is discovered dead in mystifying circumstances.

Detailed Plot

“Hostel Hudugaru Bekagiddare” is a captivating narrative that revolves around Ajith’s deep-seated desire to bring his creative vision to life through a short film. Amidst the backdrop of an upcoming exam, Ajith’s roommates dismiss his ambitious aspiration. However, fate intervenes when they stumble upon the lifeless body of the hostel warden, who has left behind a suicide note blaming them for his tragic demise. A sense of panic ensues, thrusting the friends into an unexpected predicament. Determined to avoid the repercussions, they collaborate with their experienced seniors to devise a plan for discreetly disposing of the body. What transpires is an extraordinary night filled with thrilling escapades and daunting challenges that test the limits of their friendship and resourcefulness. Throughout this gripping journey, Ajith and his friends must summon their inner strength to navigate the treacherous path laid before them in order to secure their futures and protect their innocence.

Artistes’ Performances

Each performer in “Hostel Hudugaru Bekagiddare” gives a standout performance, giving their own special charm to the part. As the hostel warden, Manjunath Nayaka excels, giving a great performance as a despised figure. The four actors who make up the primary group of friends—Srivatsa Shyam, Tejas Jayanna, Bharath Vashisht, and Aniruddha—play them with wonderful chemistry and comedic timing. Shine Shetty, Pawan Kumar, and Rishab Shetty all make brief cameos in the movie, which enhances its worth by highlighting the interactions between elders and juniors on campuses.

Direction / Technical Side

With films that appeal to youth while entertaining everyone, Kannada cinema has recently experienced a comeback. “Hostel Hudugaru Bekagiddare,” a movie in this category, was helmed by Nithin Krishnamurthy. The movie, which was entirely captured with a handheld camera, takes audiences on a crazy and entertaining journey over the course of one night. The self-awareness and self-deprecating humour of “Hostel Hudugaru Bekagiddare” are what make it unique. Nithin Krishnamurthy, the director, keeps things moving by shocking the audience time and time again with unexpected turns and twists. The focus of the film is on the group dynamics and friendship rather than on a single leading character. With this strategy, audiences are engaged from the very beginning of the performance to the very end.

In addition to the main premise, “Hostel Hudugaru Bekagiddare” includes a number of subplots that enrich and lighten the story. These side stories offer comic relief and add to the turmoil and humour of the larger picture. The director appears to be trying to make the comedy more enjoyable overall, even though elements of the second half may feel a little dragged out. Although not flawless, the film’s creative use of sub-plots gives spectators an additional layer of amusement. Nithin Krishnamurthy’s first film as a director is “Hostel Hudugaru Bekagiddare,” and he undoubtedly left a lasting effect. His skill as a director is demonstrated by the way he handles the humorous components, the pacing, and the overall narrative framework. Despite a few minor shortcomings, Krishnamurthy’s direction makes sure that the movie is always interesting and fun to watch.

Verdict;

Hostel Hudugaru Bekagiddare is a unique Kannada film, instead of focusing on a single main character, the handheld-shot movie takes viewers on an exciting trip that focuses on group relationships and friendships. The creative use of subplots adds amusement, making the film enjoyable and memorable. Despite minor shortcomings, Krishnamurthy’s direction ensures the movie remains interesting and enjoyable to watch.

Rating: 3.5 out of 5.