| Directed by | Sai Rajesh Neelam |
|---|---|
| Screenplay by | Sai Rajesh Neelam |
| Starring | Anand Devarakonda Vaishnavi Chaitanya Viraj Ashwin |
| Cinematography | M. N. Balreddy |
| Edited by | Viplav Nyshadam |
| Music by | Vijai Bulganin |
| Production company | Mass Movie Makers |
Gist of the Story
Since their time in school, Anand and Vaishnavi have been dating. The entire dynamic for these lovers is altered by a new boy and a new way of life.
Detailed Plot
Anand and Vaishnavi, two childhood sweethearts, are the main characters of the movie Baby. They live in the same neighborhood and go to the same school. Eventually, they fall in love with each other. Vaishnavi is a very hardworking student, while Anand is not. Because of this, Anand decides to become an auto driver, whereas Vaishnavi enrolls in an engineering college. They promise to love each other forever, no matter what happens. Although Anand comes from a lower middle-class family, Vaishnavi enters a different world when she goes to college: a world of rich people. At first, she is teased for her looks, but a student named Seetha befriends her and tries to help her fit in. Vaishnavi also becomes friends with Viraj, a wealthy young man, and her life changes because of their friendship. In order to fit in with her new friends, Vaishnavi undergoes a big transformation in her appearance. She starts wearing stylish clothes and gets a trendy hairstyle. However, problems start to arise between Anand and Vaishnavi. Vaishnavi, also known as Vaishu, wants to go out, drink, and have fun like her college friends. Unexpectedly, Viraj confesses his love for her, which leads to a violent altercation between Anand and Vaishnavi. Who is Vaishnavi really? Does she truly love anyone? The movie has a positive and satisfying ending.
Artistes’ Performances
Anand Devarakonda gave an exceptional and mesmerizing performance, shining brilliantly in a wide array of sequences. He flawlessly embodied the aura of a love-stricken victim while upholding a strong set of principles and ideals. Vaishnavi effortlessly showcased her immense acting prowess, effortlessly immersing herself in the contrasting roles of an urban girl who undergoes a stunning transformation, as well as a relatable girl-next-door from a humble lower-middle-class background. Her versatility as an actress was evident as she effortlessly portrayed the grace of a passionate lover and the complexity of a bewildered young woman. Viraj delivered a commendable performance in his role, even though there were limited opportunities for him to exhibit the full extent of his acting range. While Naga Babu’s portrayal was solid, it didn’t bring any standout elements to the table. Meanwhile, Viva Harsha’s involvement was confined to a few scenes and a limited amount of lines, making his contribution akin to that of an additional actor.
Direction / Technical Side
The story that director Sai Rajesh has created is both heartwarming and depressing. The story has many components that are quite current and closely resemble what we see or hear about in everyday life. He created an extremely engaging and relevant first half, and he finished it with a bang, raising the stakes for the second half. While the film’s second half gets off to a good start, the pacing is all over the place, with numerous sequences dragging on needlessly. With a running time of about three hours, the film is quite long. Several scenes could have been cut by the film’s creators. It seems like forever by the time one gets there. The drama never ends, yet because of how things are put up, everything seems to fit together. Even the most hardened of men will be moved by the conclusion. The catch is that one must relate to the subject matter though. If one isn’t, the entire situation could come out as excessive melodrama.
The movie plays out like a morality tale. It serves as a warning to young women approaching college age not to ruin their personal life by falling victim to urban vices like drinking, smoking, and going to bars. But the way it was handled was awful. Baby has a lot going for it, and Vijay’s music really elevates the picture. Beautiful and easy-on-the-eye pictures are produced by Balreddy’s cinematography. The conversations are well-written and increase the impact.
Verdict;
The film offers a contemporary narrative with engaging first and lengthy second halfs. The conclusion is moving, but emotional impact requires connection to the subject matter. The climax is poignant, leaving a lasting impact on those who can connect with the themes. However, those who cannot deeply resonate may find certain moments overly dramatic.