19-year-old Femi is the daughter of Mathew Devassy (Mammootty) and Omana (Jyotika). With Mathew’s father, they share a residence. Matthew makes the decision to run in a ward election one day during church prayer. A court hearing is scheduled for two days following his nomination submission, when Omana files a complaint opposing him for divorce.
According to her, Mathew is gay and has been seeing driver Thankan for a long time. Will Matthew reject it? Does Omana intend to ruin Mathew’s chances of becoming a politician? When will Omana get her divorce? These questions create a tense and uncertain situation for Matthew. He is faced with a difficult decision of whether to address the allegations made by Omana or ignore them in order to focus on his political aspirations.
Meanwhile, Omana’s motive behind filing the complaint remains unclear – whether it is a genuine concern or an attempt to sabotage Matthew’s campaign. As the court hearing approaches, Matthew must carefully navigate this complex situation while also preparing for his political campaign.
When it comes to his film selections, Mammootty is incapable of making a mistake as he constantly reinvents himself via each role. Due to his life experiences, Mathew Devassy is a totally different character, and Mammootty demonstrates his extraordinary talent by recognizing this and creating a character that is deeply rooted in sadness, fear, and lies.
Jyothika is a remarkable silent but incredibly strong woman who has faced life’s challenges with grace and is resolved to handle her divorce in the same way. It’s intriguing to observe the couple’s incredible chemistry in light of the narrative.
The actor who portrays Thankan, Sudhi Kozhikode, is outstanding. Every time he has to intentionally control his overwhelming love in public, he has to express his need for love, the shame he feels, and the grief in his eyes. Additionally, nearly all of this must be completed without speaking.
Jeo Baby demonstrated in The Great Indian Kitchen how cruelty and humiliation are acceptable norms in society. He illustrates in Kaathal – The Core how the same society shames and mistreats a natural feeling! Kaathal – The Core receives high marks for its reasoned and considerate handling of a subject that is frequently misrepresented and misread in movies.
Writers Paulson Skaria and Adarsh Sukumaran, please give yourselves a bow! In actuality, Baby is directing a movie that was written by someone else for the first time. Among the film’s highlights are the courtroom sequences when the husband and wife’s problems are examined. The intensity of homosexual relationships and how society views them are both emphasized in the play.
The fundamental component of love, which is simply embracing someone for who they are, is discussed in Kaathal – The Core. The main characters in the movie really embrace one another for who they are. But since they are afraid of society, they are unable to accept their choices.
‘Kaathal – The Core’ is technically impressive in addition to its performances. Salu K. Thomas’s cinematography and Francies Louis’ editing both exhibit their greatest work.
Kaathal-The Core lives up to its name thanks to its revolutionary premise. The film is unquestionably a magnificent accomplishment with its all-encompassing storytelling style. A standing ovation is definitely due to the 72-year-old legend “Mammootty” for his ability to portray such a character so well. Overall; Kaathal-The Core is a Bold, Sensible film that is a Must Watch for cinema enthusiasts !