Directed by | Gautham Vasudev Menon |
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Screenplay by | Gautham Vasudev Menon |
Story by | B. Jeyamohan |
Produced by | Ishari K. Ganesh |
Starring | Silambarasan Siddhi Idnani |
Cinematography | Siddhartha Nuni |
Edited by | Anthony |
Music by | A. R. Rahman |
Production company | Vels Film International |
Distributed by | Red Giant Movies |
Gist of the Story
Silambarasan TR plays Muthuveeran, a young man who commutes from his hometown to Mumbai for work. The protagonist of the story is thrust into the gangster world by the people and circumstances he encounters.
Plot
Teenager Muthuveeran (Simbu) has cleared his public examinations. He is compelled by circumstances to work in a dangerous forest, and after an accident causes the forest to catch fire, the landowner and Muthu argue. His mother requests that he depart for Bombay, where he begins employment at a parotta business. When Muthu works at the stall, everything does a sharp U-turn. They are not only migrant workers; they are also compelled to commit murders in Mumbai for their gangster lords. One such occurrence prompts Muthu to pick up the rifle. Then he plunges far down into the abyss. The story is how he eventually rises to become a notorious criminal in Mumbai.
Performance
Silambarasan TR has actually lived out his role. He is incredibly naive up to the halfway point, then strives to turn into a hero after the break and succeeds. With each subsequent viewing, you’ll find more to notice about the actor’s wide variety of body language, facial emotions, dialogue delivery, and mannerisms. Simbu solely owns Vendhu Thanindhathu Kaadu. Siddhi Idnani made a solid impression in her acting debut; her part is important in the second half and she gave a straightforward portrayal. She has the ideal appearance for the part of a Mumbai girl. The ideal candidate for Muthu’s mother is Radhika Sarathkumar. She did a fantastic job, and Muthu is inspired by her to live his life to the fullest and face all of his worries. Neeraj Madhav performed brilliantly in spite of his scant screen time. In the role of Sreedharan, which necessitates balancing on a tightrope, Neeraj in particular seems exceptionally mature, and he does so admirably.
Direction / Technical Side
Gautham Vasudev Menon makes an attempt in Vendhu Thanindhathu Kaadu to tell a gangster story that takes us far into the underground, where people who are desperate are used as pawns by their leaders in their game of one-upmanship. The director offers an honest view of this world, which is replete with exploited lives, unrealized goals, and continual peril. The story is set up in the first half of VTK, but the second part was fairly predictable. The writing is weak in numerous parts. Here, major revelations do occur, but they are artificial. The slowdown was largely due to the romance scenes involving Simbu and Siddhi. Silambarasan’s outstanding performance and a few theater-worthy moments, which keep us interested till the very end, help the filmmaker keep things moving, nevertheless.
AR Rahman created a calming background music composition for this movie. Excellent background score; aside from the fact that “Marakkuma Nenjam” is utilized several times, there are many other outstanding songs that enhance the scenario. You will be completely entertained by the Malayalam rap that is played during the battle scene in the intermission. Mumbai’s underworld was shown in a fresh color by cinematographer Siddhartha Nuni.
Verdict; Gautham Menon’s attempt to delve into the exploited lives, unfulfilled dreams, and constant danger that characterize the personal lives of gangsters is intriguing. Despite the predictability, Silambarasan TR’s outstanding performance makes Vendhu Thanindhathu Kaadu an enjoyable gangster drama, not the regular type of films from GVM!